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Iranian-born artist Shirin Neshat explores the paradox of being an artist in exile: a voice for her people, but unable to go home. In her work, she explores Iran pre- and post-Islamic Revolution, tracing political and societal change through powerful images of women.
Tags: 2002-2005, a voice for her people, Art in Exile, best-known Persian artists in the Western world, caught between two cultures, comicStyle, explores Iran pre- and post-Islamic Revolution, Facebook, Featured Content, Gail Penney, Games of Desire, Gladstone Gallery, her pieces offers a glimpse into the complex social, Ideas worth spreading, identities of Muslim women worldwide, Iranian-born artist Shirin Neshat, lifeStyle, LinkedIn, main blog, major international art exhibitions, mindStyle matters, Neshat’s creative work, penneylane, penneylaneonline, provocative photographs, religious and political realities that shape her identity, self-imposed exile from her native Iran, Shirin Neshat, Shirin Neshat by Arthur Coleman Danto, Silver Lion for Best Director at the 2010 Venice Film Festival, stories of four women struggling to escape oppression in Tehran, Ted Talk, the paradox of being an artist in exile, tracing political and societal change, tracing political and societal change through powerful images of women, turnStyle, twitter, videos and multimedia installations, VidStyle, wikipedia, Women Without Men, www.penneylaneonline.com, XLVIII Venice Biennale
The suburb of Flaxmere in Hastings New Zealand has had its fair share of notoriety as a hot-bed of social unrest both in the past and recently. The last time was because a number of its youth (comprised of students from
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